THE SPOILER ZONE is a haven (on a different dimension, perhaps? Erm, doesn’t matter…) in which one can further discuss a film most elaborate and insightful as possible, in hoping that for a deeper understanding on said film. Here spoiler-y details not only allowed, but encouraged. So step out, if you feel you are in the wrong place.
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Chris Martinez’s The Gifted is latched largely on its undermining conclude/epilogue.
The film has a seemingly ramshackle story of two childhood best friends Aika and Zoe, played by Christine Reyes and Anne Curtis respectively. The friendship goes sour when Zoe devices a sneaky plan that involves a handsome transferee named Mark Ferrer (Sam Milby). The mission: distract Aika from her studies whilst Zoe gets to take home most of academic honors. The cold war drags on ten years prior their senior year, concluding in a shotgun fight — utterly ridiculous.
It is a shrouded view at women. Borderline-misogynist. And you have to understand that this is the guy who directed films like 100 and Here Comes the Bride.
The epilogue kicks in mid-credits, and it turns out: to be a scatterbrained satire on Filipino melodrama is exactly what Martinez wants you to think about The Gifted. Like in the infamous awards post-credits scene from Kimmy Dora: Ang Kyemeng Prequel, Martinez finishes with a concluding sequence that undermines the entire film.
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The film’s narrator, a bestselling author named Marco (also Sam Milby), indeed inspires his fiction from real-life, but as Aika and Zoe exclaims: “Pinaganda mo pa kami,” pointing out that they are happy with what they are and Marco’s male-centric vision for his book.
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