In the case of The Last Five Years, innovation and passion are the keys for its own salvation. Broadway buffs and fans will unanimously praise the film to the high heavens for its charming characters and well-written lyricisms but filmgoers who have never seen the original piece might constantly struggle coping with its uneven and yet sometimes confusing structure. It had a rough ride on its translation to the medium of cinema but its sincerity in telling a story of a failed romance in a distinctive perspective makes it worth your money.
The Last Five Years, helmed by Richard LaGravenese is based on the Broadway hit by Jason Robert Brown, by which the story drew inspiration from his own divorce premiered in Chicago 14 years ago. The film tells the story of Cathy (Anna Kendrick), a constantly struggling actress and his five-year relationship with Jamie (Jeremy Jordan), a debuting novelist who went to popularity and success. Jamie’s songs all start in the beginning chronologically and Cathy’s numbers begin in the end of their marriage and sequenced in reverse. The plot toggles between the two central characters and the stories are meant to converge in the middle just like in the original material.
While the film is faithfully close to the structure of the musical play, the realistic settings and landscapes led to its failure in providing coherent markers in specifying the timelines of the scenes. In the stage, given the arrangement of the plot, distinction is not that difficult as the theater production design can allow more flexibility in giving its audiences some breathing air for transition and also its main actors to have the chance to own their interior monologues scenes. However, seeing Jordan and Kendrick’s chemistry on screen offset the shortcomings and their devotion for their respective roles permitted the audiences for some delightful introspection of their whirlwind failed love and marriage.
The constant use of songs and continuous stream of music in the backdrop granted it to be a very pleasing and rewarding musical but it somehow prevented its success as a movie. If some of the songs were edited short or removed and more dialogue were penned instead, the audience will have more chance in relating to the solid emotions brought by the couples’ unsuccessful relationship. The film appeared to have worked in chunks rather than as whole. As a musical piece though, The Last 5 Years is a triumph, every songs are full of sensations and their effectiveness somehow transcends the barriers posed by the unevenness of the plot. Anna Kendrick pushed herself to the limit here and further cemented herself as one of the best musical actresses of our generation. The last scene was very meaningful and poignant as the story converges into a final duet, as the remarkable characters showed us how to say goodbye in two different ways.
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