As first features go, Eduardo ‘Dodo‘ Dayao’s Violator (’14) is leaned more towards the introduction of a voice rather than the solidifying of a statement. I saw it the first time during its auspicious run at the Cinema One Originals Film Festival last November where it won, rightly, Best Picture; wrote a verbose,
Tag: Victor Neri
Violator
For an audience as discerning as the “Dodo” Dayao—his film writings, after all, are compiled in his expansive blog titled “Piling-Piling Pelikula“—the expectations for his film are naturally high. The man, known to a large sample of readers a prolific film critic* and ardent enthusiast, operates with a sense of cutting-edge
