The best way to describe the found-footage film is that it’s a cinematic anomaly, which isn’t to say that its existence is a bad thing. What is cinema, after all, if not for accidents and serendipities, right? It’s neither a style nor a subgenre because, as it is, it’s unable
Tag: Spring
The Year In Horror: 16 best horror films of 2015
2015’s horror highlights is comprised of mostly obscure indies that no one seems to appreciate. Take for example Ted Geoghegan’s We Are Still Here, a deceptively complex ghost story which pivots around an old couple. It’s a genre treasure trove which I imagine cultists and academics will look back to
