Lahat na ba nakapag-BARBIE template? Here’s the characters of BARBIE in their very own posters similar to what went viral this week with everyone’s own version of the Barbie template. To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on
Tag: Ryan Gosling
Blade Runner 2049
Let’s set expectations first. Full disclosure, I am in love with the original Blade Runner. It’s up there with Oldboy, Pan’s Labyrinth, and Fight Club (I was a hormonal teenager) in the list of films that changed my life. Given my adoration (and of course, Blade Runner 2049 being a sequel
Ryan Gosling serenades Emma Stone in new ‘La La Land’ trailer
Electrifying, exhilarating and astounding – Whiplash is probably one of the best psycho-thriller films of this decade, where director Damien Chazelle demonstrates his clear grasp of how film can be defined by music. La La Land, his follow-up to this Oscar darling, is set in contemporary Hollywood, but what this
The Nice Guys
While there are many ways to attack the buddy cop genre, at its core are two wildly different personalities forced to work together amidst disaster. The rich history of this genre continues this month as Shane Black, writer-director of Kiss Kiss Bang Bang, revisits black comedy in his new neo-noir
The Big Short
Adam McKay, best known for his absurdist comedies like Anchorman, The Other Guys, and Talladega Nights, puts aside the usual screwball tactic and directs the living daylights out of this black comedy with a rather depressing undertone about the 2007 sub-prime mortgage meltdown that also led to the global economic
‘The Nice Guys’ Trailer: Crowe and Gosling swing in Shane Black’s latest
If the freshly-released red-band trailer for The Nice Guys is any indication, Shane Black looks to deliver a groovy action comedy with headliners Ryan Gosling and Russell Crowe. Not that the man needs much to boogie–his latest effort, the gargantuan Iron Man-threequel with frequent collaborator Robert Downey Jr., while crippled
Lost River
The most evocative image in Ryan Gosling‘s Lost River is midway its hyper-saturated nightmare, when Billy (Christina Hendricks), to the sick delight of a sizable audience, slices off the skin of her face. She traces the outlines of skin the incision has left, touches the flesh irrevocably exposed, all to an almost grinning composure—like
