I’m quite certain there’s such a thing as a “festival hangover”, the frisson that is watching new films buoyed by the steady stream of tweets and reasonably late writings. It happens all the time, with almost all film festivals I’d say. What we have now, though, is the ability to
Tag: Mariquina
Mariquina
Jerrold Tarog’s ingenious work in last year’s Cinemalaya-entry Sana Dati distinguishes him as a man of fine, filmic talent: his film, closing the famed Camera Trilogy (sided with Confessional and Mangatyanan), is about acceptance and closure; yet it goes in all sorts of direction, transforming a simple romantic tale into
