‘Smaller and Smaller Circles’ co-writer Ria Limjap on the book, the film, and everything in between

[et_pb_section admin_label=”Section” fullwidth=”off” specialty=”off”][et_pb_row admin_label=”Row”][/et_pb_row][/et_pb_section][et_pb_section admin_label=”Section” fullwidth=”on” specialty=”off”][et_pb_fullwidth_image admin_label=”Fullwidth Image” show_in_lightbox=”off” url_new_window=”off” use_overlay=”off” animation=”off” use_border_color=”off” border_color=”#ffffff” border_style=”solid” src=”https://www.filmpolicereviews.com/wp-content/uploads/2016/08/JOANNA-2.jpg”] [/et_pb_fullwidth_image][/et_pb_section][et_pb_section admin_label=”section”][et_pb_row admin_label=”row”][et_pb_column type=”2_3″][et_pb_text admin_label=”Intro Text” background_layout=”light” text_orientation=”left” text_font=”Crimson Text||||” text_font_size=”20″ use_border_color=”off” border_color=”#ffffff” border_style=”solid”] Lino Brocka famously said: “life in the Philippines is cheap”. These words seem to echo in Raya Martin’s

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Filipino classics playing this January at the new Cinematheque Manila

A realistic visualization of a cinephile’s to-watch list is a queue at Starbucks during Sticker Season. It’s long. Blame it on work schedules, the dreading proximity of indie-friendly theaters. Hey, we all relate. The newly opened Cinematheque Manila crosses off this issue of proximity to many people. It’s the Iggy to our Manileño

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