Filmic Duration and Liberatory Memory Work: Analyzing Lav Diaz’s ‘Evolution of a Filipino Family’ (2004)

Introduction To introduce Lav Diaz and his cinema, the simplest approach is to emphasize his distinctive use of long cinematic duration, which is not merely an aesthetic choice but a result of complex historical, material, and political transformations. For Diaz, it is his praxis—a foundational aspect of his cinematic philosophy

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