Jake Gyllenhaal’s last great film is Nightcrawler. (Spare us with your “what about Man Bites Dog” contradictions; Dan Gilroy’s 2014 film on the extremities of ruin media is great in its own right.) Meanwhile, last year’s Southpaw is weighed down by a completely hosed narrative, and Everest relegates ol’ Jake in the permafrozen background. Not
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