“‘Aquaman and the Lost Kingdom’ is worldbuilding and visual storytelling at its zenith”, says it’s producer. In PH cinemas this December 20. James Wan, the director whose work not only include the first Aquaman film, but he also directed The Conjuring movies, Insidious, and some Saw movies. And now he’s
Tag: James Wan
MALIGNANT’s Second Trailer shows Madison’s longer POV on bad imaginary friends
Malignant second trailer promises to be James Wan’s most terrifying film yet. Going back to his roots, James Wan uses imaginary friends as a way to scare us through Malignant, a sinister new film from Australian filmmaker whose foray into the horror genre had led us to the Insidious and
‘Malignant’ is James Wan’s latest foray back into the Horror genre releases it’s new trailer
James Wan proves to us once again that ghosts at home, like “imaginary friends” are the best monsters of them all. Have you ever had an imaginary friend so wild and so… dark that it’s best to keep them all to yourself until one day you forget about them? But
The Conjuring 2
Director James Wan, who is slowly becoming a household name, ups the ante with another haunted house fright fest in The Conjuring 2, following the sleeper hit that started it all three years ago. Stylish and experimental, the sequel keeps afresh the franchise-in-the-making, despite being subdued. We catch up on Ed
First teaser-trailer for James Wan’s ‘The Conjuring 2’ is here
Horror fans are up for a new paranormal investigation, and we’re out-of-this-world excited as the new teaser of The Conjuring 2 comes out to give a peek as to what we can expect from this sequel to the 2013 sleeper hit The Conjuring. Vera Farmiga and Patrick Wilson reprise their roles
Furious 7
More furious than fast, ‘Furious 7’ presents itself as more than just high-speed chases and heists, yet still mechanical, as the franchise has always been.
Annabelle
James Wan’s filmography did not begin with the most idealistic debut: Saw, to date, is recipient to the larger sample in the collective dismissal against the modest filmmaker. However, none of this should imply that Wan’s inauspicious debut is plainly schlock—a plot(?) surrounding a mysterious killer that entraps the morally-fractured
