“The Conjuring: The Devil Made Me Do It” reveals a chilling story of terror, murder and unknown evil that shocked even experienced real-life paranormal investigators Ed and Lorraine Warren. One of the most sensational cases from their files, it starts with a fight for the soul of a young boy,
Tag: Horror Films
Watch the First Trailer of The Conjuring: The Devil Made Me Do It
The horror returns as Warner Bros. Pictures reveals the official trailer of “The Conjuring: The Devil Made Me Do It,” based on the shocking true story of demonic possession, from the case files of Ed and Lorraine Warren. “The Conjuring: The Devil Made Me Do It” reveals a chilling
The Boy
It is curious how the creepy-doll-story has become a sub-genre of horror films. We have Chucky from Child’s Play, Billy from Dead Silence, or the more recent (but disdainful) Annabelle, to only name a few. Either from the frozen smile or the piercing stare, the fear from these inanimate marionettes has sparked
Filmmakers and critics share their go-to horror films for Halloween
To those who are staying in for Halloween—I know, we had plans too!—having a horror movie marathon with family and friends is customary. In our household, the schlockier the films, the better. But because we like it meta, we mostly just marathon the Halloween series. Some years, though, call for
Resureksyon
Any hint of country idyll is lost at the very opening of Borgy Torre’s Resureksyon. In its first ten or so minutes, the film introduces the monster born from within its rural milieu: an impoverished woman (Isabelle Daza), emboldened by the promise of a better life working abroad, decides to
The Vatican Tapes
We snag exorcism films time and again—like toiletries from hotels. Post-The Exorcist, the sub-genre maintains only a shy list of films that actually carry weight: Scott Derrickson ponders on the subject in his 2005 quasi-doc The Exorcism of Emily Rose; and Adam Robitel furthers the conversation on exorcism with an elderly woman diagnosed with Alzheimer’s showing signs of
The Gallows
Let me begin by saying that, despite it being chockablock of streak after streak of uninspired features, I maintain my belief on The Found-Footage Horror. There is no experience like one’s first encounter with The Blair Witch Project, considered (rather reflexively) the first found-footage horror film. In the space of
Chain Mail
The premise of Chain Mail, the new film from Viva Films Adolf Alix Jr., is problematic: a cursed chain e-mail is being looped around, terrorizing a group of teenagers who think they know better by ignoring it. From the outset—given how social media is becoming imprinted on our daily lives and
Cure
The serial killer in Kiyoshi Kurosawa’s 1997 film Cure does not fit the description cinematic representations typically associate his likes. Mr. Mamiya (Masato Hagiwara) is encased in a fragile frame, scrawny, and is almost always flushed in daze. If it isn’t for the film’s first scene—a white-collar working man burgeons
Gut
Tom (Jason Vail) lives a routine for a life. Every day he wakes up, jogs, then meets his wife and daughter for breakfast. His days are filled mainly with office tasks, exhaustedly carrying on with a spent relationship with his childhood best friend Dan (Nicolas Wilder) who works in a cubicle next
Liwanag sa Dilim
Richard Somes’s Liwanag sa Dilim enacts a battle between good and evil, the timeless adventure of friends joined in defeating a villainous being, tykes assembled in lieu of the common task of slaying the monster under the bed. And although the film is elusive to the delineation as a children’s