Wes Craven’s clever postmodern-slasher Scream dwindled onto its trilogy (with the fourth film somewhat redeeming the franchise); yet the following it has cultivated is enough for a big-to-small screen transition. Because unless it hasn’t sunk in, American television is eternally obsessed with serial killers (only currently a quintuple times more, think: Hannibal, Bates Motel, True
A Philippine-based film site, featuring news, essays, interviews, and the leading PH film podcast, Third World Cinema Club.
