The extraordinary brilliance of Dahling Nick is fully realized in its interviews with figures in Nick Joaquin’s life such as: National Artists for Literature Bienvinido Lumbera and F. Sionil Jose; Nick’s niece Charo Joaquin Villegas, his ultimate companion, Elena Roco; and even Communist Party of the Philippines founder, Jose Ma.
Tag: C1 Originals 2015
Manang Biring
Manang Biring takes off her robe, uninhibited by the darkness of her home (which apparently has not had electricity for a long time) and caresses her right breast, cleaning a wound that has made its way to the lower part of her bosom. The actress, Erlinda Villalobos, plays out this scene with exuberance
Dayang Asu
Much has been said about the pacing issues of Bor Ocampo’s Dayang Asu (Eng title: Dognation), and I think that is what makes this film really interesting; it is a nihilistic slow-burner, but it’s more than just a slow-burner. Set in a town of Pampanga, it focuses on a father
Bukod Kang Pinagpala
Faith is its own logic. That’s one reason why religion isn’t a recurring topic at open mics. No one will laugh at those jokes—unless in the audience there’s Donald Trump. Such sensitivities are important in such a sensitive country, but Sheron Dayoc slips in one joke that he knows will crack
C1 Originals 2015 Awards Night: ‘Manang Biring’, ‘Dayang Asu’ win big
Cinema One Originals is nearing to a close yet cinephiles remain restless. Miguel Gomes‘ latest, the three-parter Arabian Nights, are playing in parts tonight, tomorrow and on Tuesday night (see the full schedule here). Lots of screenings of competition films to those who need to catch up, too. Rest, as the saying goes, is
Carl Papa on his new film ‘Manang Biring’
A scene midway through Manang Biring is the film’s most affecting: in a cab, Biring (Erlinda Villalobos) and her friends plan for Christmas. They talk about the menu, the budget, the people who’ll come. It’s an innocuous moment—it should be, it’s three people simply planning for the forthcoming holiday—but knowing that Biring
The Assassin
I must admit; upon entering the movie theatre, I expected Hou Hsiao-Hsien’s The Assassin to be a high-energy Wuxia drama with exploding colors, intense fight scenes, and blasting traditional Chinese soundtrack. Instead, it begins in black and white, and there we see Yinniang (Shu Qi, still looking gorgeous sans make-up)
