The title of the album from which the terrific electro-house banger “Set Me Free” is released could not be any more apt: Money Sucks, Friends Rule. From all far-across corners, I can almost hear snorts lilt and drone: “You listen to that music,” this and that, that and this. Yet, for a track that is meant to bust some ass, if aimed esoterically at a certain audience, the Dillon Francis and Martin Garrix collaboration makes a universal appeal.
The vocals, at first bound until it breaks free, mirror different things at once.
It is true that because the skittering beats and delirious bass are the track’s moving aspect, to dismiss it as a nod to its most superficial reading: letting loose and YOLO-ing shitless. The clockwork repetition of the words “set me free” burst like waves in ripples, giving a sense that perhaps to a genre that has been overt of its preoccupations, the Francis/Garrix smash makes a love letter regarding nonconformity.
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