Beneath Papetir‘s exterior of outdated editing and its just basic lack of directorial style, lies glimmers of an interesting premise not fully utilized.
Papetir is the story of King (played by real-life puppeteer Ruther Urquia), a children’s party ventriloquist, who during one of his shows gets derailed mid-skit as he confronts his past via his puppet.
Written and directed by Darwin Novicio, Papetir feels more like a scene from a bigger movie about the woes and hardships of a broken ventriloquist who suffered a traumatic experience in the past rather than a short film in itself. Running a little over five and a half minutes, there just seems to be more to this story than what it actually shows. Many short films, take commercials for example, can satisfy and provide fully rounded plots with their limited running time. This is just not the case for Papetir.
What carries Papetir though is its sheer premise. It features a fractured psyche that just breaks from guilt at the wrong place at the wrong time. What makes matters worse is the juxtaposition of this breakdown with the festive environment around him – parents and children laughing at his misfortune construed as a mere comedy skit. (As I said, interesting stuff.)
In all honesty, there is promise to this premise (woah, wordplay), it’s just that there are a lot of factors bogging it down. It’s lack of general directorial style doesn’t help the film feel any less underwhelming. Its straightforward approach in storytelling makes the movie in no way feel distinct and the only thing that stands out in the short film’s direction is its use of outdated effects like bland slow mo and weird cuts.
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Acting-wise, there is also little to praise. Given that the stars in the movie are not professional actors, their delivery seems a little too forced. It’s like they’re trying to push for drama but end up looking OA and unnatural – not to dissimilar to parodies of afternoon soap operas. I mean no insult at all when I say that the best actor of the movie is the puppet, Titoy. The puppet actually delivers lines that feel unnerving and creepy. It’s actually interesting how Ruther Urquia conveys better emotions through his puppet than via his delivery.
Papetir could have been a lot better. It has a premise that could have been easily immersive – a tale of guilt, fractured spirits, and social masks. Sadly, the lousiness that comes from its direction makes the movie not that memorable and a mere missed opportunity to tell a good story.
