Family dramas often have the dire need to verbalize emotions via heavy-handed dramatic confrontations. Thop Nazareno‘s coming-of-age drama Kiko Boksingero spares its audience of this embarrassing rehash and instead sustains a light tone all throughout. The result remains to be a fully-fleshed earnest story efficiently utilizing its modest screen time. It works as a palate cleanser amongst a competition peppered with strong, deep flavor of societal issues.
At the center of the film is Francis “Kiko” Arenas (Noel Comia Jr.), an eleven-year old recently struggling with the loss of his mother. With no parents physically available to tend him, his Yaya Diday (Yayo Aguila) fills in the role of his guardian. However, parenting goes above and beyond meeting his physical needs and the young lad starts to yearn for paternal love. Enter his estranged father, George (Yul Servo) who makes a comeback; and the two start to rekindle their relationship over their shared love for boxing.
Less about the sport, and more about self-discovery, we see an impressionable Kiko at a very critical age when the presence, or lack thereof, of a parent figure ripples a significant impact on his personality and behavior. It is a nuanced character study without the contrived attempt to force-feed empathy. The story just plays out very straightforward. We see the kid going through his mundane tasks; most of the time he can be seen staring into space, longing for a complete family that he can no longer have. There is no need for any unnecessary exposition. It does not matter how Kiko’s mother died or why his father is estranged. It trusts its viewers enough to pick up hints on what is happening. By skipping all these details and focusing on Kiko’s perspective, the film unfolds as genuine as possible.
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The film hugely owes its charm from Comia Jr. (He even sings the theme song of the film, “Alaalarawan”). He dodges the pratfall of over-acting which is very common for child actors. It certainly helps that he’s playing a nice and humble kid close to his real-life persona. Aguila’s maternal vibe, on the other hand, holds the film together. From her character’s perspective, the film draws a different insight: that family is more than just blood. The film’s location proves to be a smart choice as well. Baguio’s terrain and climate bring an inexplicable sense of tranquility and melancholy to the soul.
In the end, Kiko Boksingero takes pride on its simple goals. There is no revolutionary storytelling here but make no mistake, the emotional takeaways are not lightweight by any means. Its key moments of profound sweetness translate into quick jabs to the heart. There are many ways to attack this genre but in this case, simplicity is enough to deliver the much-needed “upper cut-hook-combo.”
https://www.youtube.com/watch?v=tP2-_BKqdls&list=PL_sjxK54UCL5_j7i6UIePw3te71NfRJS_
