It has been 20 years since the first Independence Day, a movie that I fondly remember as a kid as something that pushed the boundaries of visual effects. I also had a blast with its humorous antics, and campy scenes, earning a nostalgic spot in the 90’s zeitgeist. Fast forward to today, and not even one of the numerous bombastic and explosive sequences piqued even an ounce of my interest from its sequel, Independence Day: Resurgence, directed by Roland Emmerich. It is definitely grander in scale, and the stakes are seemingly higher, but nothing took off.
Consistent with the real-world timeline, the audience returns once more to a world where aliens try to invade again. The once catatonic captive aliens have grown restless. A cordoned off spaceship in Africa suddenly lights up. Across the moon and Saturn, unidentified forces have already started making their presence felt. The world is doomed yet again.
But the American eagle is here to save the day! Armed with an extensive amount of weaponry with alien-derived technology, their government has assembled a team led by a reckless pilot named Jake Morrison (Liam Hemsworth), another pilot Dylan Hiller (Jessie Usher), son of Will Smith’s character (who has been conveniently killed off a few years before where we pick up), Rain Lao (Hongkong supermodel, Angelababy) — who served no purpose to the story but to be an eye candy, the US presidents both current and the one who led the uprising back in 1996, and the rest who are mere chess pieces to facilitate more onomatopoeias in the event that I have lost words to describe one more explosion that filled 90% of the film.
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Only one thing that seems relevant to the discussion of this movie is its irresponsible, trigger-happy depiction of how patriotism is embodied. You will see a handful of characters being given guns they have no clue of using, and are then subjected to supposedly humorous scenes where they accidentally shoot those guns correctly, coupled with some patriotic, melodramatic score to inspire a few more ricochets. Guns are depicted as knee-jerk protective equipment, and perhaps, the film incidentally sheds light on the drastic consequences of pulling the trigger however and whenever you want it. Unfortunately, the film also concludes that the same method affords victory as well. Hm, that sounds familiar.
Backwards and insensitive to (but at times, glaringly reflective of) the current milieu, Independence Day: Resurgence is a gargantuan mess – paying homage partly to its mothership, but more to those fathers who waged senseless wars.
Or, you know, it’s just really bad.
