Our fifteen-year-old selves, as I am confident is the same for most, live in an era in which we are most willing to plunge and spike into the nerdiest depths and heights of cinematic exploration in our lifetime. By close and objective inspection, this is the most awesome! The 80’s had Star Wars, the film that married psionic cowboys with outer space. Lightsabers. Father issues. And wisdom said backwards. It was a sure sell: both in tickets and in itself the experience.
Many years in, in a new century, we are brought back to comic book pages, where just about everything happens: thereby translated to screen: a guy bit by a radioactive spider, a green giant with anger issues and a life-long Asgardian brother brawl, among plenty others. Marvel, of all, is first-line in this reintroduction to The Superhero Film; everyone loves heroes after all, something that studios were long aware of and Marvel understood well – now. It is then by large a distinction to see Guardians of the Galaxy, Marvel’s flagship feature for Phase Two of their shared cinematic universe, be a film, for once, about non-superheroes. Where The Avengers are assembled to keep peace and order in all possible realms (in translation: to keep things awesome and interesting), James Gunn’s brilliant space opera is centered on five outlaws, coming together for the same prize. A parallel comparison with Spielberg’s The Goonies is most valid, except here we have a blue-skinned Michael Rooker for the famed One-Eyed Willie.
It is an odd band of friends, too, they will make: Chris Pratt plays Peter Quill, a.k.a. Star-Lord, a for-hire masked thief under Yondu’s (Rooker) wing, kept company by a Sony Walkman on his waist. Pratt is certainly endearing, allowing just enough touch of heroism to his character. Zoe Saldana is playing Gamora, daughter of Thanos (Josh Brolin) who has loaned her to a darklord named Ronan (Lee Pace), basically the Lord of savage, who angers his fellow savages, including Dave Bautista’s character, Drax the Destroyer. Bautista is indeed a newfound treasure; his constant bickering with Rocket (a genetically-altered, shotgun-wielding racoon, voiced terrifically by Bradley Cooper) and innocuous Groot (a humanoid plant voiced by Vin Diesel) is by least amusing, if not entirely amazing a thing to witness.
They are all tied together with the same goal: for their own respective reasons, they need to retrieve a certain orb, inside of which is an artefact called Infinite Stone that contains power beyond any of that the far-reaching galaxy can contain.
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Gunn, director of Slither, has a distinct brand of humor that is indeed twisted and determinedly relentless – which makes him a perfect fit for the film. Set to ecstatic sonic head-rush of the 70’s, a playlist indeed living up to its name, the film winds through an excellent script-work (a collaboration between Gunn and Nicole Perlman) with pages upon pages of the film’s gravitas: from the seamless production to the sensitive direction. Though by all accounts an off-kilter comedy, Guardians of the Galaxy is a film where a night-out to the casino can truly bring five outlaws closer together despite their major indifference, both biologic and not.
He is not sorry for any of this, obviously. He is not sorry for an interstellar epic that awakens in a quick-tap our fifteen-year-old-selves.
