With the media mileage from the death of lead actor Paul Walker from a car crash, I find myself at the backseat of Furious 7, the seventh installment of the prolific The Fast and The Furious franchise. For beginners, the series of films mostly stars Vin Diesel and Paul Walker as Dominic Toretto and Brian O’Conner, respectively, in illegal streetracing and heists. It has maintained its appeal with its high-octane chases, slick gears, and enthralling car stunts that border ludicrosity, despite being quite hollow in its relationship angles, be it of romance or of brotherhood. The movie stays the same, fortunately for those keen for visual adrenaline, but likewise hits dull, hard stops as the cast step out of their driver seats.
Furious 7 stays true to its title by delivering more of the testosterone-rich fury than the fast, interchanging, drifting car chase of its immediate predecessor, Fast & Furious 6. The previous film is memorable for the outlandish vehicular gymnastics that had the cars chase against military tanks and a ginormous plane. Somehow, you can’t top that without making a mockery of yourself with car submarines or a Fast & Furious … IN SPACE version. Thankfully, Furious 7 still delivers even if the only noteworthy scene skirts the fine line of ridicule when cars jump off a plane, a selling point of the trailer. Other action sequences didn’t fare as much especially when the audience has been saturated with Transformers flicks. For hand-to-hand combat, you have to give some props for taking Jason Statham as the lead antagonist, Shaw, brother of Fast & Furious 6’s villain. The visual capture and editing lead to coherent action dances, enhanced by faster frame rates and sharp silhouettes from carefully-placed lighting. However, the central element of choreography is paler in contrast with martial arts, spy and heist films that have redefined mano y mano in cinematic form. Also, some inconsistent technical details mar their full appreciation; for example, the glaring difference in exposure and depth of field during car crashes, and the abrupt frame rate changes noticeable in tight shots.
[blockquote author=”” pull=”pullright”]Read more: Vin Diesel Steers ‘Fast & Furious 7’ to a Most Memorable Ride
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The dialogue-intensive scenes are too poorly enacted by most of the cast, doubled by the lack of chemistry, and a general lack of talking points and relation elements, that without the notion of Paul Walker being physically absent during half of the production, it would be a tiresome experience. Commendations are in order for the SFX department for trying to keep Paul Walker‘s Brian O’Conner present throughout. And it is this respect for the actor and the nostalgia it draws that the film paid off in the end as Furious 7 gives befitting tribute while keeping the values of family and brotherhood espoused by the franchise intact.
Furious 7 not only bids a proper farewell but also closes story arcs, with some nods on previous vehicles and styles, preparing the series for a fresh start in possible future entries.
