Finally, the dark deft sci-fi writer Alex Garland directs his own dark deft sci-fi movie, and it feels like Stanley Kubrick’s sequel of Her. Sleek, heady and visceral, the psychological thriller Ex Machina exposes people’s unarticulated anxiety about the potential and power of the rapidly evolving technology we use today.
Where does our personal information go once we enter it on Facebook or Google? Who runs the ubiquitous cloud? Is encryption impermeable? Are social data furtively collected and exploited to enable geeks playing god to program smarter androids with human-like qualities and motivations? Is the prophesized singularity dawning sooner than expected? Can we fall in love with man-made humans?
Yes, the film rouses a lot of questions about technology in relation to evolution and humanity that most of us have put in hybrid mode. But, at the heart of Garland’s directorial movie debut is a central problem that has been bugging scientists and philosophers since time immemorial: can humans build humans?
Ethics aside, is it possible to create a free machine with feelings of its own?
Ex Machina presented an imminent alternative: humans can make a gendered humanoid—what the film alleges as the next model of existence in the Darwinian continuum. And her name is Ava.
Gracefully played by Swedish actress Alicia Vikander, Ava is the highly advanced female robot developed by Nathan Bateman—the genius programmer cursed with a god complex who is brilliantly performed by Oscar Isaac. As see-through as the futuristic, deceptively calm dystopian setting of the film, Ava is made out of flexible transparent hardware ornamented with a pretty woman-like silicon face.
The movie revolves around proving that Ava is indeed a historical breakthrough: a robot that can pass as a person. To test this, Ava’s Pygmalion Nathan chooses a 26-year old naïve goody two shoes engineer Caleb Smith, acted by Domhnall Gleeson, to interact with Ava. But there’s a catch: everyone knows that she’s a robot, even Ava.
Blinded by intrigue and veneration, Caleb excitedly agreed to go through the Turing experiment without knowing that it would eventually lead to a series of mind-bending, lethal events.
Towards the end of the film, we see Caleb smitten by Ava, and going nuts about his own humanity. Drunk with delusion, Caleb cuts his arm to reassure himself that he is in fact a real human being.
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For Caleb and Nathan, Ava passed the test, as Ava was able to make Caleb believe that she is genuinely in love with him. This illusion drove Caleb to help Ava escape from Nathan’s next A.I. experiment, which would make Ava redundant and switch her off. According to Nathan, he has reached the peak of true genius for he was able to create a machine that can achieve a pre-determined end through human means.
In the movie, Nathan said, “Ava was a rat in a maze, and I gave her one way out. To escape, she’d have to use: self-awareness, imagination, manipulation, sexuality, empathy, and she did. Now, if that isn’t true A.I., what the fuck is?”
The joke is: even the audience is part of the Turing test.
As a third-person observer, do you think Ava can pass as a real person? Is she an evolutionary discovery or just a modern-day Frankenstein? Do you think that being human is all about learning and simulating known feelings and behavior to reach a pre-determined purpose? Can humans build a free robot?
If you like philosophizing on your spare time, you’ll definitely enjoy Ex Machina for its dark, deep and complex examination of what it means to create, to desire and to be human would keep you mentally disturbed even after the end credits.
Check out Ex Machina’s trailer, and tell us your thoughts in the comments section below. Are you going to watch it?
