English Only, Please is a romantic-comedy film rooted on a typical premise but fashioned differently yet relevant in our age:
A meets B, falls in love, and lives happily ever after. This is the dreamy innocent romance.
A meets B, falls in love, and wham! Deus ex machina. Two possible contrasting ends. This is less dreamy but hinges on uncertainties and the concept of love either in control by the pair or by fate.
A meets B. Both rise in their own bubbles of love. Simply put, that is the film and it works for the realism it sets. This assertion is palpable with the audience during this writer’s viewing, and with the growing positive reception it gained throughout its run in the 40th Metro Manila Film Festival. Even without such success, its modern and mature sensibilities lie in the fleshed out histories of the crafted characters.
Tere Madlangsakay, finely played by Jennylyn Mercado, who teaches English for a living, is accomplished in some ways but still trapped within her own social miseries. The hows and whys have been delicately presented through simple events with the right turns of dialogue; comedic sequences that work seamlessly in the story’s drama; and an engaging lay down without any abrupt inputs or wrap-ups. Filipino-American financial analyst Julian Parker, convincingly portrayed by Derek Ramsey, searches for a tutor to enable him to relay his message. Albeit his insecurities, hobbies, and defining qualities as a person are not as well-expounded as Tere, possibly owing to his opportune background, what is shown has enough dimension. Enhancing their personalities are visual motifs of their physical display in their outfits as with Tere’s vibrant color scheme and Julian’s more subdued, less out-going choices.
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Starting with a series of interviews done online, setting up the type of humor and slowly showing a minor flaw of uneven pacing within scenes, English Only, Please moves on to a series of experiences, mostly in the urban and suburban Philippines, establishing the distinct value and approach of the film. A delightful display of commercial but superficial products and places to the common food and activities served some purpose in immersing the foreigner in our own modern culture to the foreign lead that would have been distracting, reeking of product placement, if handled by a different director. Dan Villegas’ style of using visual punctuation marks, of dictionary entries of colloquial Filipino, to shift sequences elevates the film as a guidebook per se of Metro Manila culture, for future historians and visiting tourists. This element is fresh and easy to swallow but could have been used less occasionally and trimmed or extended to a proper length for the benefit of the reader.
The film’s progression from two characters with their own set of family, friends and troubles, make their way into each other’s hearts through the power of shared experiences and the universal language of math love. The tricky screenplay by Antoinette Jadaone could have gone to pieces without the acting abilities and comedic timing of the duo and Tere’s best friend, markedly played by Cai Cortez. These scenes, exposing further their vulnerabilities, work seamlessly with a cadence of everyday smart unpretentious lines without an overbearing score. Love is also presented another component of communication, through body language, sealing the chemistry between the leads even without primal impulses. If one follows the two thespians’ filmography, they have been in different genres and this is their first team-up. In this context, their display of affection is not through a shared history, enhancing their moments of belief as a couple on-screen.
Without presenting further re-enactments, nor introducing new elements, this form establishes a possible visual thesis of how love should be centered on the person him/herself in the now, for it to work. It is in this third act of the movie that romantic comedies usually squabble but reeling in earlier visual and dialogue elements, everything comes full circle and ends with a single satisfied exclamation point.
[youtube http://www.youtube.com/watch?v=saSCtoEBpeI?controls=0&showinfo=0]
