Cinematic references have both made and challenged Quentin Tarantino’s filmmaking stature. The indictments span from qualms as tame as reddit threads to accusations as overblown as copyright lawsuits. Like many great filmmakers Q.T. is first a cinephile, and it shows rather vividly throughout his body of work. We’re aware that the director’s breakout film Reservoir Dogs (1992) is a reply to Ringo Lam’s equally audacious Hong Kong thriller City on Fire (1987). Or that Pulp Fiction (1994), apart from it being the most important benchmark in Tarantino’s filmmaking career, is a confluence of high and low-art, what with the numerous references in the film from Godard, Hitchcock, and many others. Django Unchained (2012), I’m still convinced, is Tarantino’s own deranged version of Ford’s The Good, The Bad, and The Ugly (1966).
Check out the video below, edited by video essayist Jacob T. Swinney for Press & Play. If his name rings a bell, that is because Swinney also did this incredible First/Final Frames supercut that’s become viral of recent.
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