Review: SALVAGE, a Genre Exercise in Subversion

Warning: Full spoilers ahead. “Te, kailangan ba kitang isama sa frame?” [“Sister, do I have to include you in the frame?”] Barbie (Barbie Capacio), the make-up artist, asks between screams, as she struggles to operate a camera while running for dear life. Out of context, this sentence feels innocuous, dormant. But writer-director Sherad Anthony Sanchez uses

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Sundance Review: “SWEET COUNTRY”, A powerful slowburn on australia’s not-so-sweet history

Warwick Thornton’s Sweet Country opens with Sam Neill’s preacher Fred Smith sharing a meal with his Aboriginal farmhands Sam and Lizzie Kelly (exceptional newcomers Hamilton Morris and Natassia Gorey-Furber). “We’re all equal in the eyes of the Lord,” the preacher sermonizes as he says grace with the couple. This scene serves as a

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