‘Beetlejuice Beetlejuice’ Review: Filipinos to find charm in sequel of American cinema classic

The story of Betelgeuse and the Deetz family is so foreign to the usual Filipinos, including me. I had never heard of Beetlejuice until I looked for recommended horror films on Google. Upon watching, however, a Filipino viewer would find commonalities and comfort in the American-centric story: afterlife, ghosts, slapstick

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Filmic Duration and Liberatory Memory Work: Analyzing Lav Diaz’s ‘Evolution of a Filipino Family’ (2004)

Introduction To introduce Lav Diaz and his cinema, the simplest approach is to emphasize his distinctive use of long cinematic duration, which is not merely an aesthetic choice but a result of complex historical, material, and political transformations. For Diaz, it is his praxis—a foundational aspect of his cinematic philosophy

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Daisy Ridley stars as the ‘Young Woman and the Sea’, premieres this July 19 on Disney +

Young Woman and the Sea is the extraordinary true story of the first woman to successfully swim the English channel. The inspirational drama, which was released in theaters May 31, 2024, was warmly received by critics, as was Daisy Ridley’s performance. Katie Walsh from the Los Angeles Times said, “This

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‘Anak Ka Ng Ina Mo’ (Your Mother’s Son Review): Political Intrigue and Personal Turmoil in Jun Lana’s Erotic Thriller

Jun Lana’s latest sexy, disturbing, and cunning film Anak Ka ng Ina Mo (Your Mother’s Son) is a series of tug of war: son versus visitor, love versus taboo, individualism versus collectivism, and the director’s intention of establishing a subtle yet sharp political commentary versus his tendency to focus on

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The Seen and the Unseen review: An Indonesian Gem about Rediscovering Our Magical Childhood

Kamila Andini’s The Seen and the Unseen (2017) navigates the depths of a child’s subconscious, as seen through her cultural heritage. It recounts the story of fraternal twins, Tantri and Tantra. One fateful day, Tantra stole an egg from the gods’ altar, and Tantri subsequently prepared and consumed it. Tantri ingested the

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Safe Havens or Stifled Stories? Examining ‘Rewind’ and Filipino Film Conventions | Opinion

With Rewind being the highest-grossing Filipino film of all time now, what does that say about the Filipino audience? First, we are still hooked on loveteams and romantic films. Second, Star Cinema has a firm grasp of the audience’s emotional needs in watching films. Third, Filipinos will spend their hard-earned

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‘Mutt’ review: a raw portrait of transitions and relationships

Mutt is a drama directed by Vuk Lungulov-Klotz that features the journey of Feña as he transitions into a man. Ela Bicera reviews this film that was part of the QCinema International Film Festival 2023. Spoilers are present. While Transitioning is a life-changing experience, it also comes with doubts, fears

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‘Foe’ (2023) review: love’s final frontier we’d already seen before

Ela Bicera reviews ‘Foe’, the science fiction thriller starring Saoirse Ronan and Paul Mescal, directed by Garth Davis. This film premiered at the QCinema International Film Festival 2023. Spoilers are present in this review. “Till death, do us part” is the promise we say to the love of our lives

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‘Essential Truths of the Lake’ (Mga Saligan ng Katotohanan ng Lawa), isang pag-susuri | a QCinema review

Sa rebyu’ng ito ni Engelbert Rafferty, kaniya’ng sinuri ang pagka-hango ng pelikula ni Lav Diaz sa ekstra-hudisyal na pagpatay noong pamumuno ng dating presidente na si Rodrigo Duterte, at sa mga naiwang ala-ala ng pamilya ng mga biktima. Umiikot ang mga kamay ng oras sa bawat segundong tumatakbo. Sa loob

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