BRAD PITT, A SILENT MOVIE STAR AT THE TOP OF HIS GAME IN “BABYLON”

Academy Award-winner Brad Pitt stars as Jack Conrad, a silver screen icon navigating the tumultuous transformation of cinema in Paramount Pictures’ critically acclaimed epic, Babylon. A tale of outsized ambition and outrageous excess, the film traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in

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Viola Davis to star in Steve McQueen’s female heist thriller ‘Widows’

Viola Davis has been tapped to topbill Steve McQueen’s new film Widows. The acclaimed The Help-actress also stars in Fences, the latest from actor-filmmaker Denzel Washington. [dropcap size=big]A[/dropcap]cclaimed filmmaker Steve McQueen is working on a new heist thriller called Widows directing a screenplay written by Gone Girl-author/screenwriter, Gillian Flynn. The story follows a quartet of widows

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Oscar Isaac and Alex Garland reunite for Jeff Vandermeer adaptation ‘Annihilation’

Alex Garland’s Shelley-esque science fiction-thriller Ex Machina is one of the best to come out last year and surely is deserving of its acclaim and commercial success. In Garland’s second film, he’s re-enlisting Oscar Isaac, the actor who in their previous teaming-up played the philanthropist tycoon, Nathan Bateman, to join

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Katherine Waterston headlines Ridley Scott’s latest, ‘Alien: Covenant’

[inlinetweet prefix=”” tweeter=”@FilmPoliceRevs” suffix=”#AlienCovenant”]Katherine Waterston joins her Steve Jobs co-star Michael Fassbender in Alien: Covenant[/inlinetweet], the new film from The Martian-director Ridley Scott. Deadline is saying that Waterston is playing the female lead, Daniels, who I presume will lead the ship which will land on an ostensible “paradise” where Fassbender’s droid David, or what’s left of him,

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True to B-Movie Form, MTV’s ‘Scream’ Casts Hot Teacher and All-American B-Baller

Wes Craven’s clever postmodern-slasher Scream dwindled onto its trilogy (with the fourth film somewhat redeeming the franchise); yet the following it has cultivated is enough for a big-to-small screen transition. Because unless it hasn’t sunk in, American television is eternally obsessed with serial killers (only currently a quintuple times more, think: Hannibal, Bates Motel, True

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