Mario O’ Hara is a prolific character in the foundation of our nation’s own cinematic identity. His prominence goes without question as his oeuvre gave
Category: Opinion
Where did all the critics go?
I wrote this for an hour, but this may take about two to three minutes to read. And I propose this question to the wind,
Neomanila: Earned Redeption Failure
Warning: Full spoilers below. Neomanila has the uncanny ability to disorient. The film initially posits that in the underbellies of Manila, its inhabitants learn how
WE NEED TO TALK ABOUT KYLO: Regarding that Star Wars Trailer
Unless you’ve been living in a galaxy far, far away, you’ve no doubt heard about The Last Jedi trailer that dropped earlier this week. There’s
Death by Activism: Stray Observations on Eli Roth’s ‘The Green Inferno’
2015 is quite the substantial year for director Eli Roth—two of his films see limited worldwide releases, unsurprisingly to an almost cult-like fan reception. His
Notes on ‘Heneral Luna’: The piece, the orchestra, the maestro
Our Movie of the Week feature puts the spotlight on Jerrold Tarog’s terrific historical drama Heneral Luna. The film is still showing in cinemas and we
I. Am. A. God.: Revisiting Dodo Dayao’s ‘Violator’
As first features go, Eduardo ‘Dodo‘ Dayao’s Violator (’14) is leaned more towards the introduction of a voice rather than the solidifying of a statement. I saw
The enduring action hero of Tom Cruise
It’s not that Tom Cruise is post-humanly impervious nor invincible; he, as an actor (billed by Anthony Lane “the Dorian Gray of action movies”), is
Let’s analyze the new ‘Batman v Superman’ images
Warning: Some spoilers and speculation, based on what I know about this film and what rumors I’ve heard, ahead. Entertainment Weekly has just released new stills from
Indie Ko Pa Napapanood Eh!
Is indie cinema’s limited reach a matter of distribution or devotion? Right off the bat, I have to be honest with you: I’m coming clean.
The Virtue of Naivety: the romantic dramedies of Antoinette Jadaone
Antoinette Jadaone is on the crusade of deciphering love—the great mystery she synonymizes to “katangahan” or naivety, so indulgently she chews in and spits out,
The stylistic cunning of Magkakabaung
If you are not fond of spoilers but seek a considerably insightful piece on the film, I’d redirect you to Jonell Estillore‘s review here; the
Two Cents and Too Cents: On an unspoken dilemma in film criticism
The world we live now is at an age for free-thinkers. Liberals, the fancier folks call them. There are good and bad sides to that.
