Man’s search for the unknown is a journey of risks in unraveling shapeless mysteries, but ultimately is a conquest directed to the self.
Disclaimer: At the tail end of this review is a minor spoiler-cum-interpretation.
Many of world’s literature source from this need for discovery. Likewise, many artists want to be discovered, usually as a secondary effect of sharing their own voice to the world. The Blair Witch Project (1999) made its impact for popularizing the Found-footage Film. Its form of being ‘found,’ later announced to be a gimmick did not put off its audience, as evidenced by the box office returns and the numerous spawns it had inspired in its subsequent years. With or without the omitted fact, it has proved to stand on its own. On a later viewing with a wider perspective, this reviewer has found it to be a strong presentation of how paranormal phenomena, outside the bounds of logic, wrecks the fundamentals, the psyche of its victims. The mind goes loose when the body gets lost.
Weary of skin-deep action and cheap thrills from siblings of the genre, the film’s intensity sources from the paranoia within through unrecognizable sounds screaming from blank, fuzzy darkness. With instinct overpowering wit, The Blair Witch Project professes its love for tormenting its characters and violating our senses even without a villain in sight.
16 years later, we are presented with the ‘true’ sequel. Curious alarms went off. Will we see the witch described in the first film? Will we get jolted, shocked? Do we really need this? More than a decade later, it seems to take more to satisfy the average movie-goer. Blood, torture, mayhem and rapid-fire sequences take precedence as they easily recoup investment. With an abundance of technology where cameras are everywhere, directed at everyone; special effects programs and editing tools at the tip of our fingertips, no one could be easily tricked by another found footage clip. Recently, memorable products of the genre either call back from the previous decades or become notable for their heart-racing scenes produced by a confluence of technical perfections. Given the unique tone the original conveyed, how distinct could Blair Witch be?
Moreover, they do this for a living, day in and day out, working with all types and levels of teenage drivers. viagra generico mastercard One needs to maintain a 24 http://downtownsault.org/twenty-below-gallery-gifts-opens-on-ashmun-street-in-downtown-sault/ cheapest generic cialis hours gap between the dosages is mandatory. The pleasure-seeking viagra properien behaviour is related to immorality in certain cultural or religious systems, and in some cultures it is believed to be normal. People who have had heart attack, stroke and those who take the medicine are http://downtownsault.org/downtown/nightlife/soo-brewing-company/ viagra online samples advised to take 2 tablets each time. Frustratingly, Blair Witch falls to the traps of convention by expanding the cast, which distills the already miniscule sympathy for these forlorn souls; by shoehorning the themes of disrespect of nature, and trust issues in their basic forms; and the good ol’ jump scares that fizzles the tension of the scene it has weakly set up. These customary servings, a journey for acceptance coated by a mystery, are neatly set up on a plate of an all-encompassing sound design that such flimsy narrative is drowned out by the cacophony of eeriness from all corners of the theater.
These two acts of mediocrity are quickly supplanted by what could be the most timely input for horror movies that Blair Witch successfully displays. Running around with wearable technology, our human preys figure in a claustrophobic third act that is heavily inspired by the staple of frights in the video game industry. It isn’t just about the way this part was chosen to be shot. The tight direction and just how everything unfolds is a sharp contrast to the undertakings of the first hour, rendering the lackluster events forgivable. Furthermore, the spirit of borrowing elements from today, matched with archaic mythos that could only be heavily gleaned from if the original could be remembered, raises a possibility that what we are experiencing is not just a textbook case of cabin horror.
With a pregnant insinuation, the malevolence passed through oral tradition, and the creepy internet lore (read: creepypastas), could possibly co-exist. That these tales continue to be real, or start to be real, is a testament of how the arts, pronouncements of expression, can never be destroyed, only appended. Treading a rocky journey to a familiar mystery, Blair Witch takes a slump forward with its archetypal woodland night mystery. If not for the vividness of its final act, our interest to seek how this craze all started would close off.
https://www.youtube.com/watch?v=XBzkj0kCqPk
