Before Sunset

Before Sunset

Like a high school reunion, Before Sunset is a rekindling of lost loves, and reigniting friendships we hoped to last forever.

Director Richard Linklater revisits the American Jesse and the French lady Céline 9 years after their night in Vienna, which is also 9 years after the release of the previous film. For the uninitiated, in Before Sunrise, Jesse and Céline met on a train en route to Paris. Thereafter, they decided to latch on each other’s company for a night, until before sunrise when Jesse has to go back to his homeland. Utilizing the same naturalistic style of seemingly endless yet engaging dialogue, we witness the universal language of love in its mature form. Seeing these two familiar characters albeit different physically, it comes off delightful even when focused on just them strolling around an unrecognizable Paris.

Uninterrupted by flashbacks to aid their expositions of individual memories, the thespian abilities of Ethan Hawke and Julie Delpy are magnified, taking you whole to their “now”. The time skip is their endless source of their evolved conversations on politics, spirituality, life and relationships. These do not feel forced thanks to the screenplay, which the two leads co-wrote with the director. The nine years brought enough perspective to bring new facets for the leads, but still grounded to who they are when they met on that fated evening in Vienna. Such level of collaboration really brought the artistry out of a film which is simply put, two people walking and talking for 75 minutes.

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Before Sunrise captures the beauty and bitterness when two people become one. It may be an allegory to all kinds of 24/7 relationships or reunions after a failure of time or destiny. Seen alone, it is majestic in its self-containment. There is no need to watch the previous film to let your emotions stirred. Nor watching the next film, Before Midnight, is necessary to complete what you are now looking at. It discusses larger-than-one-human-life topics but doesn’t fall into the trappings of big words or statements to punctuate itself. Even when it had artistic bookends, of rendering memories eternal through language, written or spoken, it didn’t scream of engagements nor marriages in its closing. Love is fleeting in the now, no matter what the ending may be.

[youtube http://www.youtube.com/watch?v=6a13q5tUGdg?controls=0&showinfo=0&w=940&h=529]

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