A ne’er-do-well fat slacker and a bombshell way out his league end up pregnant after a drunken hook-up and learn to love each other along the way.
A long-separated couple, now in different relationships, rekindle old flames.
A high school couple deals with the pressure of losing their virginity before graduation.
If these loglines feel familiar, it’s, umm, probably because they are… Oddly though, Baka Siguro Yata doesn’t just make it work, it plays with it — obviously having fun in the process.
Directed by Joel Ferrer, Baka Siguro Yata tells the intertwined love stories of Carlo (Dino Pastrano) and Melissa (Valerie “Bangs” Garcia) and their Knocked Up-esque relationship; Adrian (Ricky Davao) and Remy (Cherie Gil), Carlo’s long-separated parents, who start cheating on their new partners to have affair with each other; and lastly, Myka (Goin Bulilit’s Katrina “Hopia” Legaspi), Melissa’s sister, and Jinno (Boo Gabunada)— her boyfriend who is pressuring her to do the deed with him. Hillarity and hijinks ensue, heartstrings get plucked. End story.
Albeit it may not have the newest of concepts, what makes Baka Siguro Yata so effective is how it takes that quirky, comedy-with-a-heart humor you’d usually see in films like Juno and that of Judd Apatow’s and transposes it into the Filipino setting. Its cast and just the whole way it presents itself makes it, overall, a very charming movie.
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Pastrano is quite the revelation in his first movie role as Carlo, the Seth Rogen analogue of the story. Similarities between him and Rogen don’t just lie with their similar roles but also in their performances and basically how they deliver their lines. They both tend to overact, letting out loud shouts and laughs, bringing the comedy through their lovable and yet irresponsible characters’ charms. Pastrano may even have the upper hand as he is even less annoying than Rogen because he, taking on the role of Carlo, just feels so natural, as if he was enjoying every second he was in front of the camera. The casting of of real-life friends Alex Medina, Jerald Napoles, and Nicco Manalo also helped build Pastrano’s charisma due to the sheer chemistry that eats up the screen whenever they’re present. It wouldn’t be hard to imagine their performances as real — like they were really man-children just hanging out and a camera happened to be in the area.
Known dramatic actors, Ricky Davao and Cherie Gil also provide greatly commendable performances in Baka Siguro Yata. Some of the best kilig scenes actually come from them as they play ex-lovers who reignite their long-abandoned romance in secret. They bring the “first love” feels everyone must be familiar with and nuances it with the maturity given their characters’ age. The act of re-enacting their marriage vows, tux and gown and all, in hiding serves a great heartfelt representation of their touching yet awkward relationship.
Flaws begin to arise from Baka Siguro Yata though as it enters its third act. As they begin to wrap up character arcs, things start to feel a little bit rushed. Almost all of the characters simultaneously reach their individual points of realization and start changing their behavior towards a resolution. This whole part stars to feel like an 80s training montage stretched out to be a movie’s final arc. This minor flaw though doesn’t make the movie any less enjoyable.
Overall, with its pitch-perfect comedic timing, the natural charm emanating from its cast, and just that heart in its direction, Baka Siguro Yata is definitely one of the more enjoyable entries in this year’s Cinema One Originals Festival. Its witty, charming, and though, again, its stories may not be anything new, it does more than enough to guarantee you smiling (and even singing ♪ ♫ ♬ it is my dying wiiiish, to fulfill your wiiiish ♪ ♫ ♬) by the time the credits roll.
