Now that August has just arrived, it’s time to reveal the essential reads for this week!
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The Guardian’s Pamela Hutchinson stand on why a Nosferatu remake is unnecessary:
Nosferatu’s influence over cinema is so significant that something as reductive as a remake seems utterly unnecessary. The 1922 film was not the earliest exponent of German expressionism, but a crucial one. Murnau’s killer move was to take expressionist design and render it truly disturbing by extricating it from the painted sets of a film such as The Cabinet of Dr Caligari (1919) and applying to the exterior world. From expressionism, via the influx of European emigré directors to Hollywood, we have film noir. And from Nosferatu itself we have a library of classic horror images that crop up time and again: Max Schreck’s fin-toothed makeup as Count Orlok, the “bird of death”; his hunchbacked shadow inching up the wall as he climbs the stairs; the vampire’s uncanny rise from his coffin.
Indiewire’s Bill Desowitz writes about the future of virtual reality shorts:
It’s a new kind of immersive experience that makes you a fly on the wall. I finally donned the Oculus Rift (not easy but doable with glasses) and sat down next to Henry. He smiled a few times and it was fun to get close to him, but after awhile I craved more interaction and tactile wonder. It’s all a matter of time on this ultimate journey toward a simulated reality that’s the next best thing to a “Star Trek” Holodeck experience.
AV Club’s Rob Dean defines film noir in infographic approach:
Film noir came out of the post-World War 2 Hollywood but wasn’t named as such until a bunch of high-falutin’ French critics noticed a pattern in all these hard-boiled tales of deceit, betrayal, and morally vague characters. Many of them were based either directly or indirectly on lurid pulp tales of the time by the likes of Dashiell Hammett and Raymond Chandler. But what are the cinematic ingredients that make up a film noir? And what is the most noir film out there by those criteria?
The Telegraph’s Nigel Farndale takes a look at the mysterious death of Leslie Howard:
Sometimes, the most effective way for a film star to fight the enemy was through the dark art of propaganda, as was the case with Leslie Howard, the British matinee idol who was killed in 1943 when, in mysterious circumstances, the Luftwaffe shot down the civilian plane he was flying in.
Cinemablend’s Sean O’Connell writes about the 10 most anticipated movies in the Toronto International Film Festival:
This year, north of our borders, Toronto will be celebrating its 40th anniversary, and has begun teasing those of us heading to the International Film Festival with a juicy slate of dramatic fare. The initial wave of Gala and Special Presentation titles hit the airwaves today, and we sifted through to find 10 can’t-miss movies that we know we will be reporting on. These are the movies that we believe will continue to make headlines through the lengthy awards season, the movies that you – as an avid patron of cinema – need to keep on your radar.
A few more to call it a week:
- Netflix sets theoretical release date for its first feature film ‘Beasts of No Nation’
- Indian films invade the 40th Toronto International Film Festival
- Venice lineup seals that all film festivals should have Jake Gyllenhaal
- Korean film ‘Assassination’ tops domestic box-office with 6 million admissions in 11 days
- Sarajevo Film Fest lineup has auteurs, Cannes winners
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