Only a few frames from completely wallowing in its relentless, almost-stifling realism, director Roderick Cabrido’s debut feature Children’s Show swivels to the truly weird and beams us out of the film, where it is most necessary. Knowing when to retreat back a step shows calculation in his film’s ultra-violent madness; with slow-motion sequences of juvenile flesh rippling at every blow from the opponent, every slam to the ground. It is a brazen presentation, depictive of cringing violence – Cabrido knows this well, hence his conscious decision of taking that hyperrealist turn, certainly effective and tasteful.
Where that scene alone distinguishes the film from others, it is Cabrido’s way of presenting his character’s world, which, in lesser hands, could have easily slid to the abyss-of-no-return of poverty porn. Yet, the film does not offer salvation or doom. The borderline-distracting photography (by cleverly shuts us out, giving us time for necessary reflection.
The children in the film are thrown in makeshift battlegrounds to fight until their opponents are pushed unable. Blow by blow – whether they hit the ground or shiver in bruises – they put their arms in front of them and fight on. Of the brawn tykes, the film is centred on two brothers Jun (Buboy Villar) and Al (Miggs Cuaderno), who in-between their fights ride their pedicabs, flirt with girls (Jun’s love interest Karen, portrayed by Divine Aucina, is particularly endearing) and evade their drunken, wayward father (Allen Dizon) who beats money out of them. A tangle of incidents will push one overboard, leading to a somewhat anticlimactic finish.
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Which is not at all bad; it is an exquisite conclusion to a film that is resolutely amid moral and societal distresses, and it will carry on just like that. Cabrido’s actors are excellent all-throughout, with Villar being front and center, delivering a performance of far-reaching range and controlled intensity; Cuaderno is as usually amusing and excellent. Together they breathe life to the relationship central to the film, finally placing the seal on the biggest partnership of their lives – brotherhood.
