Adapted from a biopic by Laura Hillenbrand on Olympian and World War II hero Louis Zamperini, Unbroken comes off as unique but uneven. It is unique that compared to recent biopics like The Imitation Game or American Sniper, Unbroken shows not one but three seemingly disconnected stories in the protagonist’s life: his rise to an Olympian runner; a mishap leading him and some of his comrades lost in the ocean during the war; and a really unfortunate event that was common during that era (Death was common so he is very much alive in that final story arc). Compared to other stories of survival, it holds some form of realism wherein the previous life-changing events would not be a key in the challenges he is currently facing. It is not his running that saves him through an absent typical elaborate third act of glossy violence and gore. He is not even a hero, for some standards. It is Louis Zamperini’s spirit that is evident and pervading throughout all these stories. It is this element that keeps Unbroken engaging even if it screams of “for your consideration, please” through its wartime theme, general tone of survival, and a musical score reminiscent of biopics of the same era.
Closing in the finer details, Unbroken benefits from being the nth Hollywood World War II motion picture. The production is in tip-top shape though the hair and make-up is too polished with the characters exuding less of the natural grittiness we expect from a state of extreme anguish. Deservingly nominated for an Academy Award, Roger Deakins’ cinematography is held with such finesse and allure that much of the emotion and awe is evoked through his part. Thus, for her sophomore attempt in directing, Angelina Jolie made best use of the material she had, emphasizing the good visuals and subtle uncertain message, while minimizing the standard fare offered by its substitutable actors and script.
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[youtube http://www.youtube.com/watch?v=XrjJbl7kRrI?controls=0&showinfo=0&w=940&h=529]
