I’d hate to talk about how Disney may have overspent on this remake. And since it would appear that a lot of Disney classics are being remade (Alice in Wonderland, Beauty and the Beast, Aladdin, etc.), a lot of us who grew up with such classics might be adamant to switch our interests from 2D to 3D.
And, so we look into the story. What has changed? Why change it? What should we expect? Why are we even looking into remaking classics?? Can’t we just sit at home and enjoy the usuals??
With all due respect to the original, in Tim Burton’s Dumbo, a cutesy blue-eyed, wide-eared elephant graces us with the kind of… well… originality you’d expect in the dark-hued world Burton could only playfully do so well using CGI. It resurrects the kind of storytelling that talents from the original would nod along with—since the original actually pays homage to the times then.
When strangeness befalls on an elephant with huge wide ears, whimsical enough to employ the help of another caricature to explain his magical talents. But in this version, we are given the kind of elephant that also fits the times, as it employs a familial route and borrows brothers and sisters Milly and Joel Farrier. Back in 1941, it would be difficult to convince an audience that an elephant flies simply because it can, and that it was caused by sniffing a feather. Sometimes stories need to adapt to the changing of times, especially if it means it will teach us a thing or two about life.
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Ehren Kruger’s screenplay covers some of the characters in Helen Aberson (novel) and Harold Pearl’s original characters in the 1941 cartoon. Timothy (the mouse) is then replaced by Holt Farrier (played by Colin Farell) and his children (Nico Parker and Finley Hobbins). I like the warmth of Farell’s acting in here, and often you almost forget that he has played some of the most treacherous characters in film before. Nico Parker’s striking resemblance to her mother, Thandie Newton, is a welcome surprise as she has the same capabilities of acting as her parents that we should all look out for.
The entire film adapts a certain weird and melancholy vibe that most of Burton’s characters assume, championing oddities as a form of reality. We have the trout circus mayor, played by Danny de Vito who can easily say this is one of the easiest roles he’s had to take. Eva Green will always be a favorite, although in here she’s also gone towards a route that doesn’t just put her as an evil teacher or an assistant. She finally goes from becoming a mysterious nymph, to becoming a secondary mother without having to claim that spot entirely. Michael Keaton plays the suspecting villain with ease and theatrics, which is sufficient enough for him to remind the kids these days that his talents go from being one of the best Batman’s there ever was, to being Birdman without any desperation. Taking on a role like V.A. Vandervere is no sweat to this guy.
The entire plot pays homage to the original, but by completely saying that it has had to make some changes to adopt to the changing of times. What makes this one special though is that even if it has had to make a few changes, it will still remind you of the same hope that Dumbo keeps reminding us once he looks at the lenses with those baby blue eyes.
